{"id":284,"date":"2022-04-29T17:00:52","date_gmt":"2022-04-29T17:00:52","guid":{"rendered":"https:\/\/eyeonestudio.com\/portfolio\/?page_id=284"},"modified":"2024-12-02T16:29:22","modified_gmt":"2024-12-02T16:29:22","slug":"press","status":"publish","type":"page","link":"https:\/\/eyeonestudio.com\/portfolio\/press\/","title":{"rendered":"Press"},"content":{"rendered":"\n<div class=\"wp-container-3 wp-block-columns alignwide\">\n<div class=\"wp-container-1 wp-block-column\">\n<h3><strong>PUBLICATIONS<\/strong><\/h3>\n\n\n\n<p class=\"has-custom-weight\" style=\"font-weight:bold\">2024<\/p>\n\n\n\n<ul style=\"font-size:16px\"><li>City of L.A Department of Cultural Affairs,  <em>Latinx Heritage Cultural Guide<\/em><br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.getty.edu\/news\/new-book-features-unique-works-by-151-los-angeles-graffiti-artists\/\" data-type=\"URL\" data-id=\"https:\/\/www.getty.edu\/news\/new-book-features-unique-works-by-151-los-angeles-graffiti-artists\/\" target=\"_blank\"><strong>[<\/strong><\/a><a href=\"https:\/\/culture.lacity.gov\/wp-content\/uploads\/2024\/09\/2024-LHM-book.pdf\" data-type=\"URL\"><strong>HERE]<\/strong><\/a><\/li><\/ul>\n\n\n\n<ul style=\"font-size:16px\"><li>UCLA School of the Arts and Architecture Newsletter September 2024,  <em>Alumni Spotlight<\/em><br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.getty.edu\/news\/new-book-features-unique-works-by-151-los-angeles-graffiti-artists\/\" data-type=\"URL\" data-id=\"https:\/\/www.getty.edu\/news\/new-book-features-unique-works-by-151-los-angeles-graffiti-artists\/\" target=\"_blank\"><strong>[<\/strong><\/a><a href=\"https:\/\/www.arts.ucla.edu\/single\/alumni-spotlight-fall-2024\/\" data-type=\"URL\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>HERE]<\/strong><\/a><\/li><\/ul>\n\n\n\n<ul style=\"font-size:16px\"><li>Slanted Magazine, #44 : <em>Type Fashion<\/em>, Contributing Artist<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.getty.edu\/news\/new-book-features-unique-works-by-151-los-angeles-graffiti-artists\/\" data-type=\"URL\" data-id=\"https:\/\/www.getty.edu\/news\/new-book-features-unique-works-by-151-los-angeles-graffiti-artists\/\" target=\"_blank\"><strong>[<\/strong><\/a><a href=\"https:\/\/www.slanted.de\/product\/slanted-magazine-44-type-fashion\/\" data-type=\"URL\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>HERE]<\/strong><\/a><\/li><\/ul>\n\n\n\n<p class=\"has-custom-weight\" style=\"font-weight:bold\">2023<\/p>\n\n\n\n<ul style=\"font-size:16px\"><li>Zero+ Publishing, <em>Sign of the Times: Works by Raymundo T. Reynoso<\/em> <br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.getty.edu\/news\/new-book-features-unique-works-by-151-los-angeles-graffiti-artists\/\" data-type=\"URL\" data-id=\"https:\/\/www.getty.edu\/news\/new-book-features-unique-works-by-151-los-angeles-graffiti-artists\/\" target=\"_blank\"><strong>[<\/strong><\/a><a href=\"http:\/\/zeropluspublishing.com\/Ray_2023.htm#images\/Ray_3.tif\" data-type=\"URL\" data-id=\"http:\/\/zeropluspublishing.com\/Ray_2023.htm#images\/Ray_3.tif\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>HERE]<\/strong><\/a><\/li><\/ul>\n\n\n\n<ul style=\"font-size:16px\"><li>City of L.A Department of Cultural Affairs,  <em>Latinx Heritage Cultural Guide<\/em><br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.getty.edu\/news\/new-book-features-unique-works-by-151-los-angeles-graffiti-artists\/\" data-type=\"URL\" data-id=\"https:\/\/www.getty.edu\/news\/new-book-features-unique-works-by-151-los-angeles-graffiti-artists\/\" target=\"_blank\"><strong>[<\/strong><\/a><a rel=\"noreferrer noopener\" href=\"https:\/\/culture.lacity.gov\/wp-content\/uploads\/2023\/09\/2023-LHM-Calendar-and-Cultural-Guide.pdf\" data-type=\"URL\" data-id=\"https:\/\/culture.lacity.gov\/wp-content\/uploads\/2023\/09\/2023-LHM-Calendar-and-Cultural-Guide.pdf\" target=\"_blank\"><strong>HERE]<\/strong><\/a><\/li><\/ul>\n\n\n\n<p class=\"has-custom-weight\" style=\"font-weight:bold\">2022<\/p>\n\n\n\n<ul style=\"font-size:16px\"><li>Slanted Magazine, #40 : <em>Experimental Typography<\/em>, Contributing Artist<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.getty.edu\/news\/new-book-features-unique-works-by-151-los-angeles-graffiti-artists\/\" data-type=\"URL\" data-id=\"https:\/\/www.getty.edu\/news\/new-book-features-unique-works-by-151-los-angeles-graffiti-artists\/\" target=\"_blank\"><strong>[<\/strong><\/a><strong><a href=\"https:\/\/www.slanted.de\/product\/slanted-magazine-40-experimental-type\/\" data-type=\"URL\" target=\"_blank\" rel=\"noreferrer noopener\">HERE]<\/a><\/strong><\/li><\/ul>\n\n\n\n<p class=\"has-custom-weight\" style=\"font-weight:bold\">2021<\/p>\n\n\n\n<ul style=\"font-size:16px\"><li>Getty Research Institute, <em>L.A. Graffiti Blackbook<\/em>, Contributing Artist<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.getty.edu\/news\/new-book-features-unique-works-by-151-los-angeles-graffiti-artists\/\" data-type=\"URL\" data-id=\"https:\/\/www.getty.edu\/news\/new-book-features-unique-works-by-151-los-angeles-graffiti-artists\/\" target=\"_blank\"><strong>[HERE]<\/strong><\/a><\/li><\/ul>\n\n\n\n<p class=\"has-custom-weight\" style=\"font-weight:bold\">2020<\/p>\n\n\n\n<ul style=\"font-size:16px\"><li>Slanted Magazine, <em>The L.A. Issue<\/em>, Work Feature<br><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/issuu.com\/slanted\/docs\/slanted_35_la_issuu\/28\" data-type=\"URL\" data-id=\"https:\/\/issuu.com\/slanted\/docs\/slanted_35_la_issuu\/28\" target=\"_blank\">[HERE]<\/a><\/strong> <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.slanted.de\/product\/slanted-magazine-35-los-angeles\/\" data-type=\"URL\" data-id=\"https:\/\/www.slanted.de\/product\/slanted-magazine-35-los-angeles\/\" target=\"_blank\">[HERE]<\/a><\/strong><\/li><\/ul>\n\n\n\n<p class=\"has-custom-weight\" style=\"font-weight:bold\">2019<\/p>\n\n\n\n<ul style=\"font-size:16px\"><li>Full Blede, <em>The Undertaking Issue<\/em>, Contributing Artist<br><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/static1.squarespace.com\/static\/52869d4ce4b0497d6404d956\/t\/5e419d762c67a6039b59f499\/1581358512088\/FULL_BLEDE_Issue_10_lores.pdf\" data-type=\"URL\" data-id=\"https:\/\/static1.squarespace.com\/static\/52869d4ce4b0497d6404d956\/t\/5e419d762c67a6039b59f499\/1581358512088\/FULL_BLEDE_Issue_10_lores.pdf\" target=\"_blank\">[HERE]<\/a><\/strong><\/li><\/ul>\n\n\n\n<p class=\"has-custom-weight\" style=\"font-weight:bold\">2017<\/p>\n\n\n\n<ul style=\"font-size:16px\"><li>Zero+ Publishing, <em>Eyeone | Raymundo T. Reynoso<\/em>, Artist Monograph<br><strong><a rel=\"noreferrer noopener\" href=\"http:\/\/zeropluspublishing.com\/ray_wood.htm\" data-type=\"URL\" data-id=\"http:\/\/zeropluspublishing.com\/ray_wood.htm\" target=\"_blank\">[HERE]<\/a><\/strong><\/li><\/ul>\n\n\n\n<ul style=\"font-size:16px\"><li>L.A. Times \/ Design L.A. Magazine, <em>Absolute Zero<\/em>, Artist Monograph Review <br><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/edition.pagesuite.com\/html5\/mobile\/production\/default.aspx?pnum=39&amp;edid=1c0ccf00-ff2d-408e-8094-5cd1c64a3532\" data-type=\"URL\" data-id=\"https:\/\/edition.pagesuite.com\/html5\/mobile\/production\/default.aspx?pnum=39&amp;edid=1c0ccf00-ff2d-408e-8094-5cd1c64a3532\" target=\"_blank\">[HERE]<\/a><\/strong><\/li><\/ul>\n\n\n\n<p class=\"has-custom-weight\" style=\"font-weight:bold\">2014<\/p>\n\n\n\n<ul style=\"font-size:16px\"><li>Getty Research Institute, <em>L.A. Liber Amicorum<\/em>, Contributing Artist<br><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.getty.edu\/research\/special_collections\/notable\/la_liber_amicorum\/index.html\" data-type=\"URL\" data-id=\"https:\/\/www.getty.edu\/research\/special_collections\/notable\/la_liber_amicorum\/index.html\" target=\"_blank\">[HERE]<\/a><\/strong> <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.getty.edu\/research\/special_collections\/notable\/la_liber_amicorum\/index10.html\" target=\"_blank\">[HERE]<\/a><\/strong><\/li><\/ul>\n\n\n\n<ul style=\"font-size:16px\"><li>L.A Times, <em>&#8216;Scratch&#8217; Brings Graffiti Off The Streets<\/em>, Exhibition Review<br><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.latimes.com\/entertainment\/arts\/la-et-cm-ca-scratch-graffiti-esmoa-20140615-story.html\" data-type=\"URL\" data-id=\"https:\/\/www.latimes.com\/entertainment\/arts\/la-et-cm-ca-scratch-graffiti-esmoa-20140615-story.html\" target=\"_blank\">[HERE]<\/a><\/strong><\/li><\/ul>\n\n\n\n<h3><strong>ONLINE<\/strong><\/h3>\n\n\n\n<p class=\"has-custom-weight\" style=\"font-weight:bold\">2024<\/p>\n\n\n\n<ul style=\"font-size:16px\"><li>No Echo, <em>A Look Behind the New Exhibition Celebrating L.A. Hardcore Culture<\/em>, Artist Interview<br><strong><a href=\"https:\/\/www.noecho.net\/features\/macondo-hardcore-show\" data-type=\"URL\" target=\"_blank\" rel=\"noreferrer noopener\">[HERE]<\/a><\/strong><\/li><\/ul>\n\n\n\n<p class=\"has-custom-weight\" style=\"font-weight:bold\">2023<\/p>\n\n\n\n<ul style=\"font-size:16px\"><li>No Echo, <em>Macondo: Remembering the 90s L.A. Hardcore Venue and Cultural Space<\/em>, Interview<br><strong><a href=\"https:\/\/www.noecho.net\/features\/macondo-los-angeles-hardcore-club-story\" data-type=\"URL\" target=\"_blank\" rel=\"noreferrer noopener\">[HERE]<\/a><\/strong><\/li><\/ul>\n\n\n\n<p class=\"has-custom-weight\" style=\"font-weight:bold\">2022<\/p>\n\n\n\n<ul style=\"font-size:16px\"><li>People&#8217;s Graphic Design Archive, Contributor<br><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/peoplesgdarchive.org\/search?q=Raymundo%20T.%20Reynoso&amp;page=1\" data-type=\"URL\" target=\"_blank\">[HERE]<\/a><\/strong> <strong><a href=\"https:\/\/www.instagram.com\/p\/CjAiS7mheoK\/?igshid=YmMyMTA2M2Y%3D\" target=\"_blank\" rel=\"noreferrer noopener\">[HERE]<\/a><\/strong> <strong><a href=\"https:\/\/twitter.com\/PeoplesGDArc\/status\/1574720515641688066?s=20&amp;t=rnIP5v9F4nQeue3cjR1aDw\">[HERE]<\/a><\/strong><\/li><\/ul>\n\n\n\n<p class=\"has-custom-weight\" style=\"font-weight:bold\">2020<\/p>\n\n\n\n<ul style=\"font-size:16px\"><li>Slanted Magazine, <em>The L.A. Issue<\/em>, Artist Interview<br><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/youtu.be\/WHHDsohc9wI\" data-type=\"URL\" data-id=\"https:\/\/youtu.be\/WHHDsohc9wI\" target=\"_blank\">[HERE]<\/a><\/strong><\/li><\/ul>\n\n\n\n<p class=\"has-custom-weight\" style=\"font-weight:bold\">2014<\/p>\n\n\n\n<ul style=\"font-size:16px\"><li>KCET Artbound, <em>Scratching The Surface<\/em>, Exhibition Review<br><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.kcet.org\/shows\/artbound\/scratching-the-surface-street-art-stars-on-museum-walls\" data-type=\"URL\" data-id=\"https:\/\/www.kcet.org\/shows\/artbound\/scratching-the-surface-street-art-stars-on-museum-walls\" target=\"_blank\">[HERE]<\/a><\/strong><\/li><\/ul>\n\n\n\n<ul style=\"font-size:16px\"><li>KCET Artbound, <em>Hot Stuff: L.A.&#8217;s Cross-Cultural Condiments<\/em>, Exhibition Review <br><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.kcet.org\/shows\/artbound\/hot-stuff-l-a-s-cross-cultural-condiments\" data-type=\"URL\" data-id=\"https:\/\/www.kcet.org\/shows\/artbound\/hot-stuff-l-a-s-cross-cultural-condiments\" target=\"_blank\">[HERE]<\/a><\/strong><\/li><\/ul>\n\n\n\n<p class=\"has-custom-weight\" style=\"font-weight:bold\">2012<\/p>\n\n\n\n<ul style=\"font-size:16px\"><li>L.A. Taco, <em>Eyeone<\/em>, Artist Interview<br><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.lataco.com\/eyeone-my-favorite-taco\/\" data-type=\"URL\" data-id=\"https:\/\/www.lataco.com\/eyeone-my-favorite-taco\/\" target=\"_blank\">[HERE]<\/a><\/strong><\/li><\/ul>\n\n\n\n<p class=\"has-custom-weight\" style=\"font-weight:bold\">2011<\/p>\n\n\n\n<ul style=\"font-size:16px\"><li>Print Magazine, <em>Street Cred<\/em>, Exhibition Review<br><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.printmag.com\/design-inspiration\/rebeca-mendez\/\" data-type=\"URL\" data-id=\"https:\/\/www.printmag.com\/design-inspiration\/rebeca-mendez\/\" target=\"_blank\">[HERE]<\/a><\/strong><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-container-2 wp-block-column\"><\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PUBLICATIONS 2024 City of L.A Department of Cultural Affairs, Latinx Heritage Cultural Guide[HERE] UCLA School of the Arts and Architecture Newsletter September 2024, Alumni Spotlight[HERE] Slanted Magazine, #44 : Type Fashion, Contributing Artist[HERE] 2023 Zero+ Publishing, Sign of the Times: Works by Raymundo T. Reynoso [HERE] City of L.A Department of Cultural Affairs, Latinx Heritage&hellip; <a class=\"more-link\" href=\"https:\/\/eyeonestudio.com\/portfolio\/press\/\">Continue reading <span class=\"screen-reader-text\">Press<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":""},"_links":{"self":[{"href":"https:\/\/eyeonestudio.com\/portfolio\/wp-json\/wp\/v2\/pages\/284"}],"collection":[{"href":"https:\/\/eyeonestudio.com\/portfolio\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/eyeonestudio.com\/portfolio\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/eyeonestudio.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eyeonestudio.com\/portfolio\/wp-json\/wp\/v2\/comments?post=284"}],"version-history":[{"count":13,"href":"https:\/\/eyeonestudio.com\/portfolio\/wp-json\/wp\/v2\/pages\/284\/revisions"}],"predecessor-version":[{"id":755,"href":"https:\/\/eyeonestudio.com\/portfolio\/wp-json\/wp\/v2\/pages\/284\/revisions\/755"}],"wp:attachment":[{"href":"https:\/\/eyeonestudio.com\/portfolio\/wp-json\/wp\/v2\/media?parent=284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}